Stop time Aunt Dinah's Wedding Dance break down B

Stop time Aunt Dinah's Wedding Dance break down A

tap dancing Tap dance is a form of dance characterized by using the sounds of tap shoes striking the floor as a form of percussion. Two major variations on tap dance exist: rhythm (jazz) tap and Broadway tap. Broadway tap focuses on dance; it is widely perfo ...

jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major ...

, and

blues Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the Afr ...

, stop-time is an

accompaniment Accompaniment is the musical part which provides the rhythmic and/or harmonic support for the melody or main themes of a song or instrumental piece. There are many different styles and types of accompaniment in different genres and styles ...

pattern interrupting, or stopping, the normal time and featuring regular

accented A diacritic (also diacritical mark, diacritical point, diacritical sign, or accent) is a glyph added to a letter or to a basic glyph. The term derives from the Ancient Greek (, "distinguishing"), from (, "to distinguish"). The word ''diacritic ...

attacks on the first

beat Beat, beats or beating may refer to: Common uses * Patrol, or beat, a group of personnel assigned to monitor a specific area ** Beat (police), the territory that a police officer patrols ** Gay beat, an area frequented by gay men * Battery ( ...

of each or every other

measure Measure may refer to: * Measurement, the assignment of a number to a characteristic of an object or event Law * Ballot measure, proposed legislation in the United States * Church of England Measure, legislation of the Church of England * Mea ...

, alternating with

silence Silence is the absence of ambient audible sound, the emission of sounds of such low intensity that they do not draw attention to themselves, or the state of having ceased to produce sounds; this latter sense can be extended to apply to the ce ...

or instrumental solos. Stop-time occasionally appears in

ragtime Ragtime, also spelled rag-time or rag time, is a musical style that flourished from the 1890s to 1910s. Its cardinal trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott ...

music. The characteristics of stop-time are heavy accents, frequent rests, and a stereotyped cadential pattern. Stop-timing may create the impression that the

tempo In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often ...

has changed, though it has not, as the soloist continues without accompaniment. Stop-time is common in African-American popular music including R&B,

soul music Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became po ...

, and led to the development of the

break Break or Breaks or The Break may refer to: Time off from duties * Recess (break), time in which a group of people is temporarily dismissed from its duties * Break (work), time off during a shift/recess ** Coffee break, a short mid-morning rest ...

in hip hop.Ramsey, Guthrie Jr.
Stop-Time!
(Fall 1998), ''Colum.edu''. Stop-time is, according to Samuel A. Floyd Jr., "a musical device in which the forward flow of the music stops, or seems to stop, suspended in a

rhythm Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recu ...

unison In music, unison is two or more musical parts that sound either the same pitch or pitches separated by intervals of one or more octaves, usually at the same time. ''Rhythmic unison'' is another term for homorhythm. Definition Unison or per ...

, while in some cases an

improvising Improvisation is the activity of making or doing something not planned beforehand, using whatever can be found. Improvisation in the performing arts is a very spontaneous performance without specific or scripted preparation. The skills of impr ...

instrumentalist or singer continues solo with the forward flow of the

meter The metre (British spelling) or meter (American spelling; see spelling differences) (from the French unit , from the Greek noun , "measure"), symbol m, is the primary unit of length in the International System of Units (SI), though its prefi ...

and

. Such stop-time moments are sometimes repeated, creating an illusion of starting and stopping, as, for example, in

Scott Joplin Scott Joplin ( 1868 – April 1, 1917) was an American composer and pianist. Because of the fame achieved for his ragtime compositions, he was dubbed the "King of Ragtime." During his career, he wrote over 40 original ragtime pieces, one ra ...

's "

The Ragtime Dance "The Ragtime Dance" is a piece of ragtime music by Scott Joplin, first published in 1902. Publication history Although the piece was performed in Sedalia, Missouri on November 24, 1899, it wasn't published until 1902. John Stillwell Stark had p ...

" and

Jelly Roll Morton Ferdinand Joseph LaMothe (later Morton; c. September 20, 1890 – July 10, 1941), known professionally as Jelly Roll Morton, was an American ragtime and jazz pianist, bandleader, and composer. Morton was jazz's first arranger, proving that a gen ...

's "

King Porter Stomp "King Porter Stomp" is a jazz standard by pianist Jelly Roll Morton, first recorded in 1923. The composition is considered to be important in the development of jazz.Magee, Jeffrey. "'King Porter Stomp' and the Jazz Tradition", p.46, ''Current Mus ...

"." Joplin's "Stoptime Rag" (1910) employs stop-time throughout; it even lacks his characteristic four-bar introduction. Stop-time in Joplin's rags is characterized by directions in the music for performers to stomp their foot to the beat. The sheet music for Joplin's "Ragtime Dance" contains the direction, "Notice: to get the desired effect of 'stop time', that the pianist will please ''stamp'' the heel of one foot heavily upon the floor at the word 'stamp'. Do not raise the toe from the floor while stamping." In his copyright submission for "Cornet Chop Suey," Louis Armstrong includes a written stop-time chorus. Allusions to the stop-time chorus of "Cornet Chop Suey" occurs in "Oriental Strut" and "Potato Head Blues." Thomas Brothers cites Armstrong's exposure to the tap-dancing of Bubbles, who improvised dance steps during stop-time choruses, at the Sunset Café as further inspiration for stop-time choruses in his repertoire. In ''Signifyin(g), Sanctifyin', and Slam Dunking'', Gena Dagel Caponi writes:

References

{{DEFAULTSORT:Stop-Timere Accompaniment Musical techniques Rhythm and meter

See also

References